Appearance:

Male with brown back, pinkish white underparts and a bluish grey head with a black eye mask. Female more dull with barred underparts. Juvenile like female, but upperparts also barred . Tail brown with white edges in all plumages. Females and juveniles easily confused with other southern/eastern or vagrant shrikes like; Brown Shrike, Isabelline Shrike, Woodchat Shrike and Turkestan Shrike. Differs from those in white sides of tail, barred rump, mantle and scapulars, scaly underparts and dark or yellowish base of bill (not pink).

Sound:

Call a hard "check check" (like striking two rocks together), and a variable nasal "twee" Song surprisingly varied with many expert imitations of small passerines, interwoven with bell-like ringing and dry chirping sounds. May be confusing and hard to identify if bird not seen. Song not very loud, but phrases can be very long.

Alarm call, song:

Distribution:

Xeno-canto: map

Ecology:

Birdlife ecology

Links:

Observation.org Latest observations

Video IBC

Image search Flickr NB! May give other species

Sound search at Xeno-canto

Featherbase

CC

Appearance:

Easy to identify when seen in mountainous habitat where Rock Pipit does not occur, but harder when occasionally seen at the coast where both species may be present. Told from Rock Pipit by: Contrasting, double wing-bars, unstreaked belly (and only modestly streaked flanks), brownish rump, broad supercilium, paler underwing and pure white outer tail feathers. Summer plumage with more strongly coloured buff or pinkish underparts and greyer upperparts, but difficult to identify when plumage worn.

Sound:

Similar to Rock Pipit. Song slightly more melodious, often with Tree Pipit like glissandi at end of phrase. Contact call sharper and more drawn.

Song:

Distribution:

Xeno-canto: map

Ecology:

Birdlife ecology

Links:

Observation.org Latest observations

Video IBC

Image search Flickr NB! May give other species

Sound search at Xeno-canto

Featherbase

CC

CC-photo:Betty van Middelkoop, Licence,Link.

CC-sound:Jarek Matusiak, Licence,Link.