Appearance:

Hard to distinguish from Guillemot, especially at a distance. Bill heavier, shorter, less pointed and with lateral white stripe at base (not obvious at a distance). Flanks lacks Guillemot's streaking, and armpits are white. Upperparts blacker, without brownish tones. Tail shorter than razorbill, with protruding feet in flight. Only lower cheeks white in winter, with the area behind the eye being black (white in both Guillemot and Razorbill). Pointed (not rounded) white wedge protruding from front of chest to lower throat. Neck, head and bill, heavier than in Guillemot, but more slender than Razorbill. Bill often tilted downwards in flight.

Sound:

Coarse and deep voice, like a cross between Guillemot and Razorbill. Coarser than Guillemot but with the same laughing ending, but slower.

Contact call:

Distribution:

Wikipedia: map (se also Xeno-canto below)

Ecology:

Birdlife ecology

Links:

Observation.org Latest observations

Video IBC

Image search Flickr NB! May give other species

Sound search at Xeno-canto

CC

CC-sounds:,www.xeno-canto.org,Andrew Spencer,http://creativecommons.org/licenses/by-nc-sa/3.0/

Appearance:

A dark, often secretive, wader. Quite similar to Wood Sandpiper, but differs in dark underwings, only small white spots on back, defined border between speckled chest and white belly, broad dark markings on tail and a supercilium that does not reach behind eye. Leaves an overall much darker impression than Wood Sandpiper. Particularly in flight.

Sound:

Totally different from Wood Sandpiper. Sharp, penetrating calls. Display call a high-pitched "kee-kleeoo-eet", continuously repeated with a wave-like motion in pitch. Other common calls have similar timbre and tone with different phrasing like; "klooeett -klee-klee-klee-klee-klee" and a rising pitch.

Flight call:

Distribution:

Xeno-canto: map

Ecology:

Birdlife ecology

Links:

Observation.org Latest observations

Video IBC

Image search Flickr NB! May give other species

Sound search at Xeno-canto

Featherbase

CC

CC-sound:Peter Boesman, Licence,Link.