Appearance:

Quite similar to Whinchat all plumages lack the strong pale supercilium. Male easily identified by its mainly black and white plumage, black throat and white half-collar. Other plumages seem much more evenly coloured than the Whinchat's, with its more pronounced streaking. Adult females also with diffuse black throat, but this becomes paler as the plumage is worn. All plumages show white patch at base of wing in flight. Rump usually streaked, but sometimes has a white center, or can even be completely white. Juveniles like female, but with streaked underparts. Always restlessly on the move with frequent dipping of tail.

Sound:

Alarm call an alternation of a high-pitched "weet" and a hard "check", like other chats. The "weet" is much higher pitched than the similar call of Whinchat, and Stonechat repeats the "check" more frequently. The song is a sweet stream of scratchy notes. Much more even, and less chattering than the Whinchat. Almost like a short and scratchy Dunnock phrase.

Song:

Distribution:

Xeno-canto: map

Ecology:

Birdlife ecology

Links:

Observation.org Latest observations

Video IBC

Image search Flickr NB! May give other species

Sound search at Xeno-canto

Featherbase

CC

Appearance:

Pipit with distinctly streaked breast and flanks. Adults with rich rusty red coloured throat, breast and supercilium. Males usually more red than females. Easily confused with other pipits when in winter- and juvenile plumage. Characterised by two whitish stripes on back, heavily streaked rump and flight call.

Sound:

Most typical call a forced, drawn, slightly descending "zziiiieeet", with an accented ending. Other calls resembling Meadow Pipit. Song: Like a mix of Meadow Pipit and Tree Pipit, with typical staccato, and uneven rhythm (extra "beats").

Flight call:

Distribution:

Wikipedia: map (se also Xeno-canto below)

Ecology:

Birdlife ecology

Links:

Observation.org Latest observations

Video IBC

Image search Flickr NB! May give other species

Sound search at Xeno-canto

Featherbase

CC

CC-sound:Thomas Lüthi, Licence,Link.

CC-photo:cees witkamp, Licence,Link.